The Pinyin final "(e)n5" is used in the second half of Pinyin syllables. In MandarinBanana's mnemonic system, the second half of a Pinyin syllable is always represented by a location. You can visit the Pinyin index to see all Pinyin syllables from this mnemonic group, or to see all Pinyin syllables "(e)n5" can appear in.
Think of the unstressed “en” sound in “golden” (the weak, relaxed “uhn” at the end), said quickly and lightly through the nose.
These English matches are approximations; focus on the weak, unstressed vowel plus n:
How to modify English to get closer:
In many English accents, “en” in these words can drift toward a clearer “eh” sound. For Mandarin -en, make the vowel more neutral (“uh”) and shorter, then close into n without extra sound.
| Pinyin syllable | Closest English “helper” | What to copy from the English word |
|---|---|---|
| en5 | golden (last syllable “-den”) | The weak “uh” + n feeling at the end |
| en5 | taken (last syllable “-ken”) | Keep it unstressed and short, end on n |
| men5 | men (as a starting point) | Start with “men,” then relax the vowel toward “muhn” and keep the n clean |
Note: The English word men is useful because it’s familiar, but its vowel is often too “eh.” Use it as a bridge: men → m(uh)n (more neutral), while keeping the final n.
-en vs -an
-en has a more neutral, smaller vowel (closer to “uh”).
-an sounds more open and “a”-like (bigger mouth opening). If your jaw drops a lot, you’re drifting toward -an.
-en vs -eng
-en ends with n: tongue tip touches near the front (behind top teeth).
-eng ends with ng: the back of the tongue lifts; the tongue tip usually does not make the same front contact. If it feels like the sound is happening far back in your mouth, you’re drifting toward -eng.
-en vs -in
-in has a higher, more “ee”-like tongue position (even if it’s not a pure English “ee”).
-en stays more central. If your lips spread and your tongue rises like “ee,” you’re drifting toward -in.
Tone note for “5” (neutral tone)
In en5 / men5, keep it light and quick, without a strong pitch movement. The key is reduced energy, not “flat and long.”